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A shaken Kanan tries to avoid her, but for how long? And how is he going to explain it to Anu, who now thinks that Kanan has changed from a genteel lover-boy to a weed-smoking hipster who plays around with women's feelings. If there is a thing called convenient filmmaking, then this is it. With the setup of a big Indian wedding that reminds me of a yesteryear Malayalam-language film, Anwar Rasheed's Ustad Hotel (2012), used to introduce the characters, the film makes a promising start. Superstitious families, an over-attached girlfriend, and a mysterious ghost from the previous century - the film has everything a Bollywood film could ask for. And for some time, it even manages to entertain. However, the level of quality and entertainment soon falls when you realize that the humor is forced and the drama unceremonious and inconsequential. Kanan is a 26-year old man and his encounters with Shashi are so childish they are cringe-worthy. Suraj's portrayal as the helpless guy does not work either, even when he is supported by a talented supporting cast. The only positive element that works for the film is that the suspense about Shashi's past stays strong throughout the film, mostly because it is explored non-linearly and is only dug deeper in the final 30 minutes. The base is quite similar to Palekar's 2005 SRK-starrer, with the exception of disappointing performances from the lead cast. Suraj sports a single expression throughout the 2 hours of running time - whether it is him flirting with his would-be or being terrorized by Shashi. Anushka does not do much for her character other than lazing around from point A to B looking like she hasn't a clue.

All excuses defending her character should be attributed to bad writing.

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